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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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Signs of the time: Where lies the truth?

Humra Quraishi visits the literary works of Shamsul Islam, Khushwant Singh, Jyortimaya Sharma,...

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Grammy Winner Ricky Kej and Rock legend Stewart Copeland’s Divine Tides

Bangalore, Karnataka: Grammy® award winner and Indian Music Composer Ricky Kej to release his 21st studio album in collaboration with five ...

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The Incredible Story of India’s First Miss India

Khalid Mohamed pays tribute to the first Miss India (1947), Esther Victoria Abraham, who becam...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

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